You Can See Everything: A24’s Elizabeth Holmes Documentary Takes a Strange Turn

A24 has a reputation for backing films that do more than simply tell a story. Its latest documentary, You Can See Everything, looks set to continue that tradition, bringing together an unusually fascinating subject and two filmmakers known for taking unconventional approaches to nonfiction storytelling.

The first official teaser has arrived for the 2026 documentary from Nathan Fielder and Lance Oppenheim, and its deliberately uncomfortable tone immediately raises more questions than it answers. The film centers on Elizabeth Holmes, the disgraced Theranos founder whose rise and spectacular downfall became one of Silicon Valley’s most closely followed scandals.

According to A24’s official synopsis, Holmes invited a skeptical film crew to document her life 34 days before authorities sent her to prison. What began as an intimate portrait eventually developed into a much larger, three-year filmmaking journey.

That premise alone makes You Can See Everything one of the more unexpected documentary releases of 2026.

A Strange Collaboration Behind the Camera

Nathan Fielder and Lance Oppenheim direct the documentary, making the project particularly difficult to predict.

Fielder is known for projects that blur the boundaries between comedy, reality television, and carefully constructed social experiments. Oppenheim, meanwhile, has built a reputation for intimate documentaries that observe unusual characters and environments with a highly distinctive visual approach.

Bringing those sensibilities to Elizabeth Holmes creates an intriguing creative tension.

Rather than presenting a conventional retrospective about Theranos, You Can See Everything appears to examine what happens when a filmmaker is given unusually close access to a controversial public figure at a pivotal moment.

The teaser reportedly includes Fielder directly questioning Holmes about whether she is being “real,” creating an exchange that feels intentionally awkward and psychologically revealing.

Elizabeth Holmes Is Once Again at the Center

Elizabeth Holmes became internationally known through Theranos, the health technology company she founded and promoted as a revolutionary force in blood testing.

The company’s collapse, investigations and subsequent criminal case transformed Holmes from a celebrated Silicon Valley entrepreneur into one of the most controversial figures in modern business history.

Documentaries, books, podcasts, and dramatized productions have already explored that history. Yet You Can See Everything appears to be approaching the subject from a very different angle.

Instead of simply revisiting the Theranos scandal, the film seems interested in Holmes herself—her behavior, her public image, and the complicated relationship between the person being filmed and the people behind the camera.

That distinction could become the documentary’s biggest strength.

Why the Teaser Feels So Uncomfortable

The teaser does not appear interested in giving audiences a straightforward explanation of what they are about to see.

That restraint is important.

There are no obvious attempts to summarize the Theranos scandal or provide a conventional introduction to Holmes. Instead, the material creates an atmosphere of uncertainty. The viewer is left wondering what Holmes staged, what happened spontaneously, and how much control she believes she has over the narrative.

That ambiguity fits naturally with Fielder’s filmmaking style.

The title You Can See Everything also takes on an interesting meaning in this context. A documentary promises access, but access does not necessarily equal truth. A camera can record a person’s words and actions, yet interpretation remains unavoidable.

That could be the central idea behind the film.

A Three-Year Documentary Journey

One of the most intriguing details is that the project reportedly evolved far beyond the initial filming period.

A24’s synopsis describes the documentary as a three-year journey, suggesting that the filmmakers were not simply capturing Holmes during the weeks immediately preceding her incarceration. The project developed into something considerably broader.

That extended timeline potentially gives the filmmakers room to examine changing circumstances, shifting perspectives and the strange relationship that can develop between documentary subjects and filmmakers.

The project has also generated significant curiosity because the filmmakers have kept it largely under wraps.

The documentary reportedly premiered as a surprise screening at the Telluride Film Festival on September 6, 2026, before its theatrical release later this year.

When Will You Can See Everything Be Release?

A24 is schedule to bring You Can See Everything to theaters in October 2026. The exact rollout may vary by market, so audiences should watch A24’s official channels and local theater listings for release information.

The theatrical strategy is also notable because documentaries built around major real-world personalities can generate substantial conversation when audiences experience them together in cinemas.

Final Thought

You Can See Everything does not look like a conventional Elizabeth Holmes documentary, and that may be exactly why it is attracting attention.

The combination of A24, Nathan Fielder, Lance Oppenheim and Elizabeth Holmes creates an unusual cinematic equation. The teaser offers very little certainty, but that uncertainty feels intentional.

For viewers fascinated by the Theranos story, documentary filmmaking, Silicon Valley culture or Fielder’s unconventional creative experiments, this is a project worth keeping on the radar.

The most interesting question may not be what the camera captures.

It may be what happens when Elizabeth Holmes knows the camera is watching and still chooses to let it see everything.

SOURCE: A24, IMDB, Wikipedia, Variety

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