There is something immediately intriguing about a film that turns a therapist’s office into the setting for an increasingly unpredictable psychological game. Netflix’s Lo dejamos acá does exactly that, bringing Argentine screen veterans Ricardo Darín and Diego Peretti together in a story where professional boundaries, personal frustration and creative desperation begin to collide.
Netflix released the official trailer on September 18, 2026, confirming that the Argentine production will arrive globally on October 16, 2026, following its world premiere at the 74th San Sebastián International Film Festival.
Hernán Goldfrid directs the film, Emanuel Diez writes it, and Kenya Films, along with Federico Posternak, Ricardo Darín, and Chino Darín, produces it.
A therapist who decides conventional methods are no longer enough
At the center of Lo dejamos acá is a pragmatic psychoanalyst played by Ricardo Darín. According to Netflix’s official synopsis, his character begins questioning conventional psychological methods and gradually crosses boundaries with his patients. His unconventional approach appears to produce results at least until a particularly difficult new patient enters his office.
Diego Peretti portrays that patient, a writer struggling with a serious creative block.
The premise creates an unusual dramatic setup. Rather than presenting therapy as a straightforward exchange between professional and patient, the film appears interested in what happens when the person providing guidance starts becoming increasingly involved in the problems of the person sitting across from him.
That shift gives the trailer its uneasy energy.
Ricardo Darín and Diego Peretti reunite
One of the biggest attractions is the pairing of Ricardo Darín and Diego Peretti.
The two actors return to the screen together in a production built heavily around their relationship and contrasting personalities. Netflix describes the film as a story in which the therapeutic relationship begins to move beyond what they originally expected.
Their reunion also carries additional significance within Argentine cinema. Lo dejamos acá gives the actors a compact setting and a character-driven premise where dialogue, reactions and psychological tension can do much of the storytelling.
Rather than relying on a large-scale concept, the film appears to build its intrigue around conversations and increasingly questionable decisions.
A darkly comic Argentine story
Netflix categorizes Lo dejamos acá as an Argentine drama/comedy, while the platform’s synopsis describes it as a black comedy.
That distinction matters because the premise could easily have been presented as a conventional psychological thriller. Instead, the film appears to use uncomfortable situations and sharp interpersonal exchanges to create humor alongside tension.
The result is a story that can explore serious subjects therapy, creative frustration, personal boundaries and professional ethics without necessarily treating every moment with complete solemnity.
That balance may become one of the movie’s defining characteristics.
The creative-block angle adds another layer
The writer’s creative block is more than a simple plot device. It gives the film another interesting question: what happens when professional help becomes entangled with someone’s identity and creative life?
The official synopsis establishes that the writer arrives seeking help while struggling to produce new work. The therapist, meanwhile, has already become dissatisfied with conventional approaches. Their meeting therefore creates an unusual collision between psychological treatment and artistic frustration.
This gives Lo dejamos acá a potentially rich character-driven foundation without revealing the film’s eventual direction.
From San Sebastián to Netflix
Before reaching the streaming audience, Lo dejamos acá will have its world premiere at the 74th San Sebastián International Film Festival. The festival lists the film in its Otras Actividades program and identifies it as an Argentine production directed by Goldfrid, with a 98-minute runtime and Spanish as its original language.
The festival has also connected the presentation with a tribute to Darín, who received the Donostia Award in 2017 and is featured on the festival’s 2026 official poster.
For international viewers, however, the date to remember is October 16, 2026, when the film becomes available globally on Netflix.
What the trailer tells us
The official trailer keeps the focus firmly on character interaction rather than explaining every aspect of the story. That is a sensible choice for a movie whose appeal depends on gradually understanding the relationship between its central characters.
The images supplied with the trailer also reinforce that approach: the therapist’s office feels intimate and controlled, while other scenes introduce a more polished television-studio-like environment, suggesting that the story may move beyond the consultation room.
Most importantly, the trailer establishes a simple but effective dramatic question: how far can a therapist go before helping someone becomes something else?
Lo dejamos acá arrives with a strong Argentine creative team, a celebrated central pairing and a premise built around psychological boundaries. With its San Sebastián premiere preceding its worldwide Netflix release, the film is positioned as a notable addition to Netflix’s continuing slate of Argentine productions.
Netflix release date: October 16, 2026.
Final Thought
Lo dejamos acá looks set to turn a simple therapy session into an unpredictable character-driven story. With Ricardo Darín and Diego Peretti at the center, the film blends dark comedy, creative frustration, and complicated boundaries in a way that could make for an intriguing Netflix watch. Arriving October 16, 2026, the film is one to keep on the radar for viewers looking for something different from a conventional comedy or drama.
SOURCE: Netflix, IMDB, Netflix Tudum, About Netflix
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